Starting a new painting
Goals:
* As much as possible, use paint colours I don’t use often to get experience with mixing.
* Create a painting that reminds me of my great grandmother, Mumma.
* Try a new paint surface.
* Try at least 1 brush I haven’t used before.
The journey begins:
Dear Diary,
This weekend I started working on an African Violet still life that I’d set up and photographed a while ago. My great grandmother was an avid grower of these lovely plants, I remember her sun room, a long hall way with one full wall of windows. It had tables down the length of the room that were covered in African violets. I have no idea if my memory is accurate, but that’s the memory I have.
On the day I took this picture I remember the sun streaming in and creating this gorgeous shadow on the wall. Interestingly my African Violet had just flowered for the first time in about 2 years.
*Squirrel!: It’s now completely covered in flowers, so it must love this spot in my window.
Anyway, I quickly set up a little still life. I love the self watering pot and that it has a matt surface. I added my 2 little birds as I loved the gloss surface and thought the different finishes would make an interesting painting challenge. So here is my reference…
Because it would be the most used, I wanted to choose my green for the leaves first. I wanted a grey/green and didn’t want to mix it (I have so many paints I’ve never used and wanted to try some of them out). So I looked at my palette colour chart and decided to try out a few.
I played around with Olive Green and then Oxide of Chromium but I really wanted a single pigment, transparent colour. So both of them were out. Then I tried and Perylene Green and bingo! It’s transparent, single pigment, staining and non granulating. No over thinking, I had my green.
I also needed a purple (for my flower) and a yellow.
When I came to the purple, I started by picking Winsor violet, it is closest to my reference so that was easy. The yellow was a bit harder but I was wanting a limited palette so I tried mixing Aureolin (Daniel Smith) with my green and it looked fantastic. It felt like I could use that mix for the lighter coloured leaves and the Aureolin would also work for the centre of the flower. Again the purple and yellow were both single pigment and transparent.
Finally I needed a grey for the background and cast shadows.
*Squirrel!: unless otherwise mentioned, all paints are Windsor and Newton brand
I’m in the Louise DeMasi (queen of watercolour tutorials) Patreon group, a while ago we had a discussion about trying to find a grey alternative to our favourite grey mix. My go to mix is French ultramarine and Burnt Sienna but we wanted a mix that was non granulating. I love the way it granulates and separates, but sometimes (like this case) I want a smooth finish.
Originally I had planned on using these two colours, because they’re my go to mix and I know exactly how to mix and paint with them. They’re like a comfort blanket…






